We Are Family

"I am glad that our family can be seen today as a four-legged table." These were the words of Gwen Hardie for the opening night of Skin Over Bone, an exhibition celebrating the work of James, Gwen and Amy Hardie. Despite being united by their family connection, the three artists are showing very different works of art.

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Changing Capacities – Changing Identities

As part of DaDaFest in Liverpool, this seminar stimulated discussion about the impact of changes on peoples’ day-to-day lives so that the lived experience of life-limiting illness and related phenomena is not always one of loss.

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Feeling better: film as therapeutic tool

Amy has been filming at Strathcarron Hospice for 16 months now. As an intern at the Scottish Documentary Institute, I got the privilege to assist her in her work. As I am slowly discovering the way she works, I am also learning about this place, the patients, and their relationship to Amy’s film.

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Last week I held up a tiny cheap plastic camcorder in front of some very distinguished people. We were at Strathcarron Hospice AGM. I have been looking for a camera that patients and staff in Strathcarron Hospice can use to make films, without any special training, and that is super-easy to set up and to edit with. It also needs to reproduce the full dynamic range of the human voice without a fiddly microphone. It’s a big ask.

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Death – can’t live with it, can’t live without it...

...a nice way to set out the paradoxes facing the inaugural Thinking About Dying? research workshop hosted by Professor Gillian Howie at Liverpool University. Contributions from Buddhist and Hindu theology, from humanism, from philosophers and clinical psychologists sparked off debates about the medical modeling of death and physical crises.

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Five Questions to Amy

Emma: Amy, you are fascinated with death. In your press kit for THE EDGE OF DREAMING you speak about how it started with the death of your mother and then continued when you had to face the possibility of your own death, as portrayed in 'Dreaming'. In the process of making these films you have researched death extensively and are now developing a new documentary to be set in a hospice.

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